All around Cash, we see rotten-looking fruit and beaten-up artifacts from his decades as one of our great entertainers. June Carter Cash, Johnny’s wife and savior, looks down on him beatifically, as if she’s welcoming him to the next plane of existence. That’s why you’re reading this.) When Cash plays guitar in the video, his fingers move fluidly, but when he raises a glass to pour wine all over his table, his hand trembles. (Saturday marks 20 years since the release of American IV and, by extension, Cash’s “Hurt” cover. Cash’s health had been declining for years, and he had to take his time recording his album American IV: The Man Comes Around, fitting studio sessions between hospital stays. In the “Hurt” video, we see Johnny Cash, frail and wizened, visibly unwell. The museum had been shut down for years, and everything inside was dusty and flood-damaged. That’s where Cash kept his offices and where there’d once been a roadside museum of Cash’s memorabilia. Rick Rubin, Cash’s producer in this final years of his life, suggested that Romanek film at the House Of Cash in Hendersonville, Tennessee. At the time, Johnny Cash was too sick to travel to Los Angeles, so Romanek had to come to him. Thank the fates that this did not come to pass. Mark Romanek’s initial idea for the “Hurt” video was that it should be a riff on Waiting For Godot, with cameos from Beck and Johnny Depp. It’s very hard to watch the “Hurt” video without feeling anything. I watched the “Hurt” video today to see if I still feel.
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